planetary ecology is envisioned without ideological filtering of desire, which is in itself distorting
the picture of plausible reality.
The artist suggests we all think about the material basis of our existence: what comes after
realistically unattainable purity of “ecology”, and how can we conceptually process the apparent
hybridity of human terraformed nature and the philosophical search for the fundamental basis of
the planet?
The opening of the exhibition on July 15 will feature a collaborative lecture performance, A
Conference, a Ritual, an Invocation, by Liva Dudareva and Denis Maksimov-Gupta, starting at 20.00,
which will activate the exhibition space and the discourse of the exhibition in a tradition of the
Fortune Teller openings.
2022
A solo exhibition of
David Bernstein
hosted by Keiv and The Breeder, Athens
To Half Sell a Duck
Opening: September 10, 16.00 – 21.00 (feat. three performances)
Duration: September 11 - October 1, 2022
Location 1 (performances & main show) @ Keiv, Kalimnou 38, www.keiv.space
Location 2 (additional works) @ The Breeder, Iasonos 45, www.thebreedersystem.com
David Bernstein (he/him, 1988, San Antonio, Texas) is an artist based in Brussels and
Amsterdam. He is a linguistic, metaphysic, mystical lunatic, and likes to play with words. His solo
project brings a constellation of works around the theme of religious futures. Bernstein comes
from a Reconstructionist Jewish background and is influenced by "The Crash", a concept from
progressive Rabbi, Bennay Lappe. She argues that religious "master narratives" will eventually
crash, and we should choose a path of radical re-imagination.
This is embodied in the artist's exploration of "Judeo-Futurism", reclaiming historical symbols of
oppression by placing them into queer fantasies. Guests were guided through the exhibition with
a performance that tells a story about a radical priest who makes kinky paintings, the creation of
a Golem who fights canards, and an encounter with the artist Danh Võ who asks Bernstein to
cut up sixteen-century wooden Jesus into pieces.
The exhibition featured drawings, paintings, and a sculpture, providing a setting for the
performance. The show was presented in two locations: most of the works being presented in
Keiv and several works featured in The Breeder.
Images:
https://www.dropbox.com/scl/fo/edo9o7iwh50sr1gn9pc5e/h?dl=0&rlkey=veq48cst6x6kf0zfd
u0da0tql (installation views)
https://www.dropbox.com/sh/80urxh1fm3pzs9t/AADgg6jjKQLt6UsEaCBSRcdKa?dl=0
(performance & dinner)